Showing posts with label Sculpture. Show all posts
Showing posts with label Sculpture. Show all posts

Sunday, January 27, 2008

How do designers address the immateriality and relatively new language of use of portable devices?


Six students from Design Products, Industrial Design Engineering and Interaction Design at the Royal College of Art have designed (2005) a landscape of concept furniture derived from the statue-like forms of people sitting, standing or leaning against walls engaged in playing the PlayStation Portable (PSP).



about the project

Sunday, October 28, 2007

Greyworld


Greyworld goal is to create works that articulate public spaces, allowing some form of self-expression in areas of the city that people see every day but normally exclude and ignore.

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The Source, an eight storey high kinetic sculpture, is the new symbol for the London Stock Exchange. Every morning, millions of viewers around the world will watch the installation come to life, signifying the opening of the London Markets.

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Five bins and four benches have been injected with a magic serum of life so that they can break free from their staid and fixed positions to roam free in a public square in Cambridge.

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Railings plays on the simple pleasure of picking up a stick and running it along a set of railings to make a lovely "clack-clack-clack" sound. We tuned the railings so that when you ran a stick along them they played "the Girl from Ipanema."

Friday, October 12, 2007

David Batchelor - Colour and Light


Through his artwork and writing, David Batchelor explores the concept of colour as a unique phenomenon: how colour’s omnipresence in everyday experience transcends function and aesthetics to create its own symbolic orders.

Brick Lane Remix 1 - Using second-hand light-boxes and shelving units, Batchelor’s Brick Lane Remix 1 is part of a series of work exploring how colour and culture are inextricably entwined. Grouping together a collection of electric signs found in the Banglatown area of London, Batchelor’s installation perfectly captures the gritty and exotic aura of Brick Lane, a shady side street notorious for prostitution, Jack the Ripper, and more recently, curry houses. Framing these cultural references as minimalist screens of neon hues, Batchelor creates a form of visual literature, isolating the essence of locality and contemporary legend. Source: Saatchi Gallery web site

Wednesday, October 10, 2007

United Visual Artists's work


UVA's approach combines three disciplines: art direction, production design and software engineering. They tightly integrate these elements to deliver real-time, immersive and responsive experiences.
They work equally with LED, traditional lighting and projection technologies as sculptural elements.

Volume is a sculpture of light and sound, an array of light columns positioned dramatically in the centre of the V&A’s garden (last winter). Volume responds spectacularly to human movement, creating a series of audio-visual experiences. Step inside and see your actions at play with the energy fields throughout the space, triggering a brilliant display of light and sound.

Tuesday, October 09, 2007

Daan Roosegaarde's work


Daan Roosegaarde has sculpture graduation and a Master degree in architecture. Based in Rotterdam, his Studio Roosegaarde founded in 2006 initiates, researches and realises art and technology projects.

Roosegaarde's work explores the dynamic relationship between architecture, people and new media. His sculptures are a collision of technology and the human body. In this interaction the sculptures create a situation where visitor and (public) space become one.
http://www.studioroosegaarde.net/